Focus on Marlow Moss

Upon first entering the Marlow Moss exhibition at the leading institute and internationally known Museum Haus Konstruktiv, l must admit the work of Piet Mondrian sprang to mind. However, this train of thought was swiftly swept aside upon closer inspection of the work and life of artist Marlow Moss.

Layer by layer, the exhibition Marlow Moss – A Forgotten Maverick, (curated by Museum Director, Sabine Schaschl and Art Historian, Lucy Howarth), drew my attention to this artist - whose work has been long overshadowed by the famous male artists of the constructivists movement, namely Mondrian.

The exhibition itself allows you to view the work of Moss in fine detail, within a carefully curated contemporary structure. Based on mathematical principles, Moss explored the structural framework of straight lines using blocks of primary colour, as well as black and white, l found the original drawings exhibited in-conjunction with the actual finished compositions extraordinary and richly insightful. As the observer, we get to enjoy her compositions from intricate pencil drawings to full-scale artworks, as well as sculptural pieces, which include wire adaptations of her compositional line work.

The additional art lecture given by Art Historian Lucy Howarth gave further insight into the life and work of Marlow Moss. We soon discovered that the "double-line element (also a well-known element of Mondrian's work) was in fact invented by Moss...it was (to my dismay, yet not overly surprise) subsequently made apparent that Mondrian did not point this out. During the lecture, their work was presented side-by-side, which l found hugely revealing, as you could clearly see how Moss was aspiring to break away from the boundaries of the black compositional lines.

l rather like the idea of Moss and Mondrian having a 'double line' conversation via their art compositions. Leads me to wonder ...perhaps Mondrian felt challenged by Moss and her compositional approach.

l was left questioning the female artist presence or more importantly lack of within the art world. Briefly talking to Lucy Howarth after the lecture, l feel that Moss was indeed a true maverick, which l believe came natural to her. She is certainly an artist who requires our attention, and whose work demands to be an imperative part of the constructivist conversation.

l may have walked in thinking of Mondrian, but l walked away positively focused on Marlow Moss.

* 'Marlow Moss A Forgotten Maverick' can be seen at the Museum Haus Konstruktiv until 7th May 2017. / All images are courtesy of the museum.



Thought process...


As we embark on a new year, l find myself thinking about how l wish to shape the next twelve months. A box of beautifully crafted pencils and a copy of the inspirational Flow 2017 diary have set me on my way. 

Looking forward to see on which enriching paths the creative thought process will lead me this year? Without a doubt, it all feels pretty exciting...l feel ready to discover and explore...

"We are what we think. All that we are arises with our thoughts. With our thoughts we make the world". - Buddha.

Wishing you a year of creative adventure!


Precious Cargo


It was during the warm summer months that l was introduced to 'Precious Cargo', (gold, frankincense and myrrh) created by glassybaby.  The team couldn't wait to showcase their Christmas creations, which proved to be rather timely, as l was on my way to Cologne, Germany - home to the shrine of The Three Kings.

How poetic to have such a precious gift appear during my travels...

May it be a bright star that leads you into the New Year. 


LN_16 Part ll


LN16_cloce-up-02 web

A month on and the Long Night of the Museums discoveries have been processed and explored. It was a beautiful and insightful journey. 

Commencing from the floating wooden platform of Manifesta ll, Jill and l watched a series of short films. A collection of stories bringing together various local professions and artists - compelling in topic in conjunction with the artists' individual visual approach to story-telling.

Moving on through-out the evening, we amusingly found ourselves falling down a rabbit-hole via a set of charming book illustrations by Zurich-born artist Hanny Fries, complimented by a live musical performance, extracted from the classic novel Alice-in-Wonderland...this was duly followed by a colourful ride on Moroccan carpets at the Museum Bellerive - striking in textile medium and traditional craftsmanship! 

A few tram stops later, we mused over many an art piece at the Museum Haus Konstructive ..."Thinking Outside of the Box"  happily led us to the outside bar to enjoy a colourful drink and engaging conversation under the twinkling stars and fairy lights.

To round off our long night, we slowly made our way up to the Kunsthaus to view the retrospective on the diverse works of artist Francis Picabia. 

In the wee small hours, Jill and l happily concluded that a visual feast for the creative mind had been fully enjoyed. Food for thought indeed. 

*Visual Investigations images: © 2016 Elizabeth Hitchman


LN16_Part l


This Saturday sees me embark (with client & friend Jill Allemang) on my first attendence to the annual 'Long Night of the Zurich Museums'.

Browsing through the program generates heightened anticipation of visual engagement via exhibitions, installations and live performance ... an 'artist day' comes alive during the twilight hour ...

l invite you to watch this space for a visual follow-up on our explorations and discoveries.

Happy Weekend!

*Photo credit: Jill Allemang


Spotlight on Annie Atkins


The magic of film has the power to inspire, enchant, captivate and above all else transport us to another world.

The exceptional work of Graphic Designer Annie Atkins (for filming-making), poignantly stands out as a rich example of visual impact with its meticulous attention to detail.

'The Grand Budapest Hotel' trailer alone grabbed my attention with its quirky and endearing charm...excitedly followed up by watching the film on the big screen. l happily and whole-heartedly confess it was the rich array of graphic design visuals (created by leading graphic designer Annie Atkins and her team) which captivated me from the out-set.

Magnificently amplified by the hand-crafted visual props, the visual story-telling from packaging and stamped documents, to the "artistic" merits of the prison escape map - when handled with care and admired by the characters on-screen is simply beautiful! 

l find the creative process within graphic design film-making fascinating, as Annie Atkins explains, the process involves various steps, including script breakdown, continuity logistics, and the production of several copies of one piece to name but a few, with each step holding its own challenges.

l have great respect for the medium and feel inspired by the perspective in which Annie Atkins views her work  - "Look after the little details...you will in some some way contribute to the movie as a whole. It's our job, people do see it. When we create graphic props and set pieces, we're not always making them for the cinema audience – these are pieces that are dressed into the sets to create a more authentic experience for the director and actors to work in"

l'm delighted to share a short film link for further exploration of Annie's film projects and to invite you to listen to Annie describe her graphic design work in her own words. The clips will undoubtedly generate a deeper sense of appreciation for graphic design work within the field of film-making.

Be enchanted! 


In 2016 ...


l wish to start this year's Looking Glass postings by sharing a photograph of my 'Seaglass space'. This is where my visual communication work is created, where a calendar can be turned in typographic style, where a 3D-cardboard globe can be spun while pondering creative ideas, where l rotate creative expression that inspires...

l wonder with much anticipation, as to which visual direction client projects will take me in 2016...all very exciting!

Wishing you a creative & inspirational 2016!


A sprinkle of season's greetings...


It has been said that *"Christmas is almost the Olympics of wit for designers, with the toughest competition and past performance to surpass". 

Not wishing to appear twee or over the top, as a designer l like to take the creative direction of raising a smile with a gentle injection of seasonal humour, and the "Christmassification" of an object is an approach l find most fun. 

l was recently asked by writer D.B. Miller if l had interest to come up with visual ideas to sprinkle some wintery sparkle onto her corporate identity, (a project l also had the pleasure to co-create) ... during our conversation, it became quickly apparent as how best to add a note of seasonal cheer.

Best wishes for the holidays and for 2016!

*Extract taken from 'A Smile In The Mind' by Beryl McAlhone, David Stuart. Published by Phaidon.


Uma - A wonder for all the senses


In Swahili, Uma means fork. 

To me *Uma means gastronomic jewel.

Located in Barcelona, Chef Iker Erauzkin & food writer/journalist Anna Yébenes have opened the doors into their imaginative world of gourmet cuisine. Memorable glimpses of Iker's cooking workshop balanced with a showstopping "pure genius" culinary performance has equated to an unforgettable experience, particularly for the tastebuds.

Uma is indeed a sparkling jewel. An open mind and heart will lead you on a glorious dining adventure, into another sphere ... all may not appear as it seems ...

Oh such beauty for the senses awaits ... !

*Normally l wax lyrical in my postings about creativity which captures my looking glass imagination, but for this particular posting it makes perfect sense not to say too much - smile.


Illustration & exploration


September has happily begun with not-too-distant summer memories of places visited and joyfully explored. Prior to my trip to Spain at the beginning of August, l discovered the exuberant map 'Barcelona, Spain' illustrated by Farida Zaman via the web platform 'They Draw & Travel'. Syncroncity at its magical best! Especially since it was just a few days before my flight that l caught sight of this colourful city guide.

Founded in 2011, by brother & sister (design and illustration team, Studio SSS) , Nate Padavick & Salli S. Swindell, 'They Draw & Travel' - younger sibling site to the delicious They Draw & Cook',  is a pure celebration of illustrative maps and travel.

l adore the concept of reflecting the places we love through the visual voice of map illustration. Inviting artists from around the world to illustrate their unique perception of the places they have visited or perhaps even places where they live, Nate and Salli have opened a new window for us to discover and explore, and above all, generated inspiration to record our own travels through map-making.

Having fell under the charms of the incomparable, yet equally compelling Barcelona, and southern region of Andalucia, (2012) the maps (Barcelona, Spain, Farida Zaman / Andalucia, Spain, Benjamin Bay) will long keep aglow the warmth of these places visited.

l warmly invite you to submit a hand-drawn map of your favourite places to the TDAT website, or perhaps have a simple browse as inspiration for your next port of call. l for one, feel inspired to continue drawing, traveling and cooking!